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At first glance, this painting seemed like it should have had a lot of color but there was this overall smoggy, dark look. In fact, you can see by the cleaning test on the upper left side that the original colors are extremely different/brighter. This oil on canvas painting’s surface is very grimy; imagine the walls of your home if you didn’t paint them for 80 years! Add to that a moderately yellowed varnish leaving the original colors dim and darker than the artist had originally intended and the painting looking nothing like it is supposed to.
Besides needing a cleaning, towards the lower left side of the painting, there is a tear which also means there is flaking paint. Fortunately, though, this tear is not in a main focal point of the painting. As it is, the small tear won’t impact the value of this $15,000.00 painting. But if it had been in a focal area or disturbed a main subject matter, it would have. Conservation professionals are not appraisers and it’s actually not ethical according to our national code of ethics to give values to clients in order get the work approved.
The treatments will include repairing the tear, consolidating or stabilizing the flaking, cleaning the grime layer and the varnish layers, fill with gesso any spots of missing paint where it flaked and then to inpaint the loss so you can’t see where the damage used to be. After restoration the painting will have brighter colors, enhanced depth of field, the tear will disappear and the varnish will look even and clear.
In this case, the total cost was $1,380.00. But that number could vary, a lot, buy the difficulty of the removal of the grime and varnish, the sensitivity to solvents of the original paint, the size of the rip, the amount of lost paint, whether there are cracks in the paint layers that need to be laid down and more. So, as you can see, each project is a custom job. There is no per square inch pricing that someone can give you over the phone.
If someone is willing to give you a per square inch price, then they are smoothing over unseen problems instead of correcting them. They also may be just doing whatever it takes to make the painting “look” better but ignoring important issues that impact long term preservation. You also may have to settle for inferior workmanship.
Let me give you a hypothetical example: Let’s say the painting in the photo above were estimated for you at $500.00 to do everything. Is that a good deal? Here’s what you would get for your money:
1. The restorer would wipe down the surface of the painting with a rag to remove the grime only (not including the varnish). Because the painting now looks brighter, you will see a big difference and think its clean when actually there’s another disfiguring layer of varnish still left behind.
2. The rip can be patched instead of the fibers “rewoven” and “welded” together.
3. Then a smear of putty over the lost paint and a repainting of the ripped area with a broad brush possibly adding a bush or two to help camouflage the retouching. This will confuse the eye and obliterate the rip.
4. A new varnish makes it all look fresh and new.
The result:
1. The painting is not as clean and colorful as it could be.
2. The patch will cause a bulge in the future, look unsightly and cause flaking
3. The overabundance of retouching that does not respect the artist’s original work impacts the value. If it is done in oil and dries harder than the original painting, it will not be able to be removed in the future without damaging the artwork.
This quick example is worth gold to you when you evaluate previous restorations (when buying) and when having your artwork restored. Here’s a link to a valuable analytical tool you can carry with you to help you see previous restorations: www.tipsforartcollectors.org/blacklight-package.
As the curator of your collections, caveat emptor.
Questions about conservation/restoration? Call us toll free at 888-704-7757
Questions about preparing your stuff for an earthquake or hurricane? Click on this link: www.tipsforfineartcollectors.org/museumwax-package/
Questions about art and antique appraisals? Call Richard at (805) 895-5121
Questions about working with an insurance claim? Call us toll free at 888-704-7757
Also see: www.tipsforartcollectors.org
www.insurancepersonalpropertyassessment.com
What can you do at home or at the office to protect and save your artwork and collectibles from damage in an earthquake or hurricane?
Go to www.saveyourstuff.com/museum-wax-package
Tags: appraisal, art conservation, clean an painting, Fine Art Conservation Lab, how much does it cost?, oil painting restoration
I like the valuable information you supply for your articles.
I’ll bookmark your blog and test again right here frequently. I’m moderately certain I’ll learn lots of new stuff proper right here! Good luck for the next!
Should I allow the restorer to do a little in painting if I have chips? I heard that this will reduce the paintings value. I could have it cleaned and have the glue put on the back of the canvass to prevent further loss. I found a cheap restorer and one that charged 1,400.00 that advised I not do in painting. help.
great issues altogether, you simply received a new reader. What may you suggest about your put up that you just made a few days in the past? Any positive? judi bola
There is no set cost, but will vary from restorer to restorer and also to the amount of damage to the piece of artwork.
The process of converting your favorite photo to canvas is becoming very popular as they are capable of adding a personal touch to your photographs. The technique can create a striking visual impact and any photo from your personal collection can be converted to canvas.
Nice post! Photographs are treasures and that’s why photo-lovers can do anything to preserve them.
Great information for “How Much Does It Cost To Restore A Painting?” Thanks for sharing useful information
I work in the insurance industry and found your article to be “on the money.” Thanks for getting the word out there about value. That’s a hard question to resolve with people when they have a claim, especially with artwork. Establishing and documenting value is a basic part of the insurance claim process,once again, especially for memorabilia, heirlooms and collectibles.
I do like discolored grimy oil paintings for their antique look. But I suppose that if I knew more about it, I’d be more selective… or maybe I’d be able to find a treasure being sold for a pittance! But alas… it never happens to me.
Andrew, thanks for your inquiry. There are lots of variables in estimating a repair: age of the artwork, if there is paint loss or not, how big the painting is. It is not as easy as just a quick patching, spackle and paint if you want to preserve the artwork for long term. Here’s a video link to show why paintings should not be patched: http://www.youtube.com/watch?v=xOk0vk3w5zs
I accidently shot a hole in my mom’s paining with an Airsoft gun. The size of the hole is really small, probably about 1/2 a centimeter in diameter. I don’t know if this affects the amount it is to fix that. I just want to get the rip fixed, not the whole painting redone, cleaned, ect. Could you give me a quote on the price to fix this and where to fix it? Thanks in advance!
Your welcome Miller. Best wishes.
Great blog. I have some wonderful paintings which were saved by my grandmother. They are really very good paintings. As they have become old, I was always thinking of ways to restore them to their original beauty. Thanks to this post, I have got some idea and guidance about the same. Thanks again.
Great post!! Restoring a painting is a nice idea but can be quite expensive. But you don’t really have a choice if you are going to preserve the value, memories or history of that item. Sometimes I think of it kind of like a car: If I get it done right, I only have to have the art conservation done on a painting once. But I have to pay and pay and pay to maintain my car… especially if its an old one… and yet I do it. So, for all the pleasure etc I get from my paintings, making sure they are in great condition and looking their best is a very small price to pay, comparatively.
Great blog. It takes as much effort to restore a painting as it does to create one. Both are tedious tasks and would require and experienced hand for good results.
Some photos are kept in the family for sentimental purposes and they must be maintained well for generations.
Hi Cheri, thanks for your question. The question is a very common question with insurance adjusters and with lawyers settling probate. A little fading sometimes won’t be noticed and may not impact the value much. And minimal damage to a canvas may not have any affect on the value. But the variables on the math in your question depend on a lot of things. The details will be different if we are talking about $100 painting vs. for a $100,000.00 valued painting. Feel free to call and ask your questions (no charge to chat over the phone) to a business partner of mine who is a certified appraiser. His name is Richard Holgate and his mobile number is 805 895 5121.
I am doing some research and my question that I hope you can assist me with is: Approximately what percentage does a painting decrease when damaged. Such as fading and minimal damage to the canvas? thank you.
This is great article with important details for “Restore A Painting.” Sometimes it seems so complicated but thanks for making the process of getting an estimate seems more logical… or normal… or whatever. Thanks for sharing.
I have read about a more scientific approach for restoration of Artworks discovered by NASA’s scientists. NASA research into the damage to satellites caused by atomic oxygen in low Earth orbit has led to a new way to restore damaged artwork.
Atomic oxygen is an elemental form of oxygen that does not exist in Earth’s atmosphere. In space, however, it is common in the area where satellites orbit Earth. There, it reacts with other materials very easily and exposes satellites and spacecraft to damaging corrosion. Researchers at NASA’s Glenn Research Center study these damaging effects in order to find materials and methods to extend the lifetime of communication satellites, the Space Shuttles and the International Space Station. While developing methods to prevent damage from atomic oxygen, researchers discovered that atomic oxygen could remove layers of soot or other organic (carbon-based) materials from a surface. Because atomic oxygen will not react with inorganic oxides, such as most paint pigments, it could be used to restore paintings damaged by soot. For paintings containing organic pigments (which could be damaged by the atomic oxygen), the exposure could be carefully timed so that the removal would stop just short of the paint pigment. Because the unpaired atoms react very easily with other materials, they are very destructive to spacecraft and satellites, but very beneficial for cleaning surfaces on Earth. Atomic oxygen can remove any organic coating (a compound containing carbon) from a painting that contains inorganic paint pigments by reacting with the organic coating. This forms a gaseous byproduct while leaving the inorganic pigments undisturbed.
The invention can remove all types of organic protective coatings uniformly over the surface without physical contact, which could alter the painting. Low spots and high spots on the painting surface can be cleaned equally well.
Sometimes, whatever the cost, you just have to make the effort at restoration. It feels really really bad if something that we like the most is damaged especially the paintings and photo frames that you hope can be fixed but they seem like they may never be the same as before. I didn’t realize that you could fixed damaged and even torn paintings so perfectly. Great site!
Sometimes, whatever the cost, you just have to make the effort at restoration. Its the only way to preserve the past.
Great site!
I didn’t realize that you could fixed damaged and even torn paintings. That is so great to know. I have a little tear in a painting, but I just love it, it would be a shame to throw it away.
An expert would surely be able to restore this painting. Doing it on your own is reserved for the things that are easy to do. With damaged art, at our Service Master Center we work with professionals.
Thanks for the good comment Flower. Another way fixer uppers try and restore their own artwork is to patch torn, punctured,riped art on canvas. Here’s a video I made recently on this subject that you will find interesting: http://www.youtube.com/watch?v=xOk0vk3w5zs
What a beautiful painting you have on your hands! In response to your questions, I would absoutely not attempt to restore the painting yourself. Painting restoration is a form of art in which you must be unquestionably expert in order to end up with a good result.
It feels really really bad if something that we like the most is damaged especially the paintings and photo frames as the can be fixed but they can never be the same as before.
Restoring your house and stuff from damages as soon as possible is part of the healing process. Thanks for the good advice on how to do it right.
This is a great post. It seems that having the wrong person to do a cheap job is the easiest way to damage a valuable piece of art? There are some things money cannot replace and sadly if a family portrait or an important painting were badly damaged in restoration, that would be something money cannot correct. Thanks for the coaching.